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![The Way]( "The Way")
Joachim Kühn
Joachim Kühn
The Way
VÖ: 26.09.2024
Genre: French Jazz, Piano Jazz
This product will be released on 26 September 2024
ACT 9991-2,
614427999122
Joachim Kühn / piano
Thibault Cellier / double bass
Sylvain Darrifourcq / drums
Produced by Joachim Kühn
The Art in Music: Cover art created by Stanley Whitney
Each new band in Joachim Kühn's creative career has marked a new departure for him, a broadening of his horizons. Now, in double bassist Thibault Cellier and drummer Sylvain Darrifourcq, the pianist has found two musicians with whom he can achieve the things that are important to him at this stage of his life, around his 80th birthday: to take a path which allows him even more freedom. Joachim Kühn describes playing with these two musicians, much younger than him, as making music "the French way, with lightness, speed and elegance". The three do this intuitively, almost without any need for discussion, but with a real feeling of urgency.
The backstory of the formation of the group is a matter of getting straight to the point. Joachim Kühn had been aware of Sylvain Darrifourcq’s playing for some time, notably from his years as the drummer in Émile Parisien's quartet, and also through some experiences of playing together. Kühn’s encounter with Thibault Cellier came about more by chance, in a hotel in Paris, but Joachim already had some familiarity with the bassist’s playing, notably from records by the group Novembre - Sylvain Darrifourcq the bassist plays alongside the bassist in their second album. Contacts were quickly set up, and within four months, the two Frenchmen were in the pianist's home studio in Ibiza, making music and recording as a trio, completely free of constraints. When Joachim Kühn heard the tapes a little later, he said: "That's how I want to sound now.” Or, quite simply, a band had been born.
Playing in a piano trio runs right through the pianist's oeuvre. Alongside solo piano, it is and remains the ultimate proving-ground for a pianist. With his first trio, formed in 1964 in his home town of Leipzig, Kühn made his ambition to break new ground very clear. In the years since he moved to Paris at the end of the 1960s, he has frequently worked with French musicians. Formed in 1974 and highly successful for two and a half decades, the trio with bassist Jean-François Jenny-Clark and drummer Daniel Humair demonstrated an innovative and totally interactive style of music that had never been heard before. Joachim Kühn calls the band "the trio of my life". But there were astonishing developments and discoveries after that as well: the trio with Moroccan guembri player Majid Bekkas and Spanish percussionist Ramón López successfully bridged the gap between jazz, European, African and Arabic cultures. And the New Trio with Chris Jennings and Eric Schaefer developed a style of playing with clear contours and a wide-open approach which never failed to fascinate.
In some ways, the new French Trio might seem to be a follow-on from the previous trio involving two musicians from the Francophone world, Jean-François Jenny-Clark and Daniel Humair. But history does not repeat itself. And free jazz, in Joachim Kühn’s sense of it, has long since outgrown its infancy. These days, the pianist says, it is just as much about freedom and the spontaneous creation of structures. And also, as with all of the very great role models, especially in their later creative phases – Bach, Coltrane, Ornette Coleman and Joachim's late elder brother Rolf Kühn – it is about finding the way that leads straight to the essential, to the heart of things. And into the open.
Thibault Cellier / double bass
Sylvain Darrifourcq / drums
Produced by Joachim Kühn
The Art in Music: Cover art created by Stanley Whitney
Each new band in Joachim Kühn's creative career has marked a new departure for him, a broadening of his horizons. Now, in double bassist Thibault Cellier and drummer Sylvain Darrifourcq, the pianist has found two musicians with whom he can achieve the things that are important to him at this stage of his life, around his 80th birthday: to take a path which allows him even more freedom. Joachim Kühn describes playing with these two musicians, much younger than him, as making music "the French way, with lightness, speed and elegance". The three do this intuitively, almost without any need for discussion, but with a real feeling of urgency.
The backstory of the formation of the group is a matter of getting straight to the point. Joachim Kühn had been aware of Sylvain Darrifourcq’s playing for some time, notably from his years as the drummer in Émile Parisien's quartet, and also through some experiences of playing together. Kühn’s encounter with Thibault Cellier came about more by chance, in a hotel in Paris, but Joachim already had some familiarity with the bassist’s playing, notably from records by the group Novembre - Sylvain Darrifourcq the bassist plays alongside the bassist in their second album. Contacts were quickly set up, and within four months, the two Frenchmen were in the pianist's home studio in Ibiza, making music and recording as a trio, completely free of constraints. When Joachim Kühn heard the tapes a little later, he said: "That's how I want to sound now.” Or, quite simply, a band had been born.
Playing in a piano trio runs right through the pianist's oeuvre. Alongside solo piano, it is and remains the ultimate proving-ground for a pianist. With his first trio, formed in 1964 in his home town of Leipzig, Kühn made his ambition to break new ground very clear. In the years since he moved to Paris at the end of the 1960s, he has frequently worked with French musicians. Formed in 1974 and highly successful for two and a half decades, the trio with bassist Jean-François Jenny-Clark and drummer Daniel Humair demonstrated an innovative and totally interactive style of music that had never been heard before. Joachim Kühn calls the band "the trio of my life". But there were astonishing developments and discoveries after that as well: the trio with Moroccan guembri player Majid Bekkas and Spanish percussionist Ramón López successfully bridged the gap between jazz, European, African and Arabic cultures. And the New Trio with Chris Jennings and Eric Schaefer developed a style of playing with clear contours and a wide-open approach which never failed to fascinate.
In some ways, the new French Trio might seem to be a follow-on from the previous trio involving two musicians from the Francophone world, Jean-François Jenny-Clark and Daniel Humair. But history does not repeat itself. And free jazz, in Joachim Kühn’s sense of it, has long since outgrown its infancy. These days, the pianist says, it is just as much about freedom and the spontaneous creation of structures. And also, as with all of the very great role models, especially in their later creative phases – Bach, Coltrane, Ornette Coleman and Joachim's late elder brother Rolf Kühn – it is about finding the way that leads straight to the essential, to the heart of things. And into the open.
Joachim Kühn
Around his 80th birthday on 15 March 2024, the piano artistry of Joachim Kühn, Germany’s pre-eminent jazz pianist, is in its prime. Whereas he is able to draw on a vast wealth of experience from a life fully lived, his powers to concentrate entirely on the present and to live in the moment - things he has done all his life - are undimmed. Kühn’s 80th birthday is also a good moment to reflect on the extent to which the pianist has broken through internationally, and now has his place among the greats in a way that no other jazz pianist from Germany has achieved. He can look back on decades of creative work in which he has not just witnessed jazz history and adapted miraculously to it, but has also taken a role in shaping it and carrying it forward. Joachim Kühn has had a 50-year association with ACT founder Siggi Loch, stretching back to 1972 and the album "Springfever", released on Atlantic Records. Their partnership has prospered on ACT since 1992 and found a fruitful continuation in the current decade under Andreas Brandis. Kühn's 19 albums on ACT show a musician with a kaleidoscopic range. At the larger end of the scale is the jazz symphony "Europeana", other highlights include the Kühn / Bekkas / Lopez trio, which links North Africa with Europe, the Joachim Kühn New Trio, his fruitful cross-generational duo with Michael Wollny, and several solo recordings. In his playing, Joachim Kühn combines an irrepressible striving for artistic freedom with an unerring sense of musical quality in a way that is always truly compelling. Another hallmark is the way in which his playful lightness is always tinged with such strong and deep emotion. Each of Joachim Kühn's concerts or recordings is a special event. His beguiling improvisations unfold and develop in such fascinating ways, they seem to be happening of their own accord. And this is true not just of his solo performances, but equally in both his work in the New Trio with bassist Chris Jennings and drummer Eric Schaefer and his duo with Michael Wollny, - thirty-five years younger than him - which has been documented on two ACT albums, most recently "DUO", released in early 2024. Kühn and Wollny are kindred spirits in the depth of their musical sensibilities, in their exuberant imagination, their determination never to compromise artistically, and in their endeavours to transcend musical boundaries. Alongside echoes of the great classical and romantic piano tradition, Joachim Kühn - particularly in the trio- reveals how strongly and how fully he has assimilated the essence of jazz. Shadows and resonances of the past are transformed alchemically into an innovatively orientated sound language which is wholly his own.
Joachim Kühn's career is remarkable in the way it embraces different eras, countries and continents, and yet, despite the musical and political upheavals of the pianist’s eight decades, there is a constant: the pursuit of musical freedom. Born in Leipzig in 1944, he has had a homing instinct for the greats of the music since his earliest youth: John Coltrane, Ornette Coleman, Bach. His older brother, clarinettist Rolf Kühn, became his role model and later his musical partner. He had a long, intense and significant collaboration with his early idol Ornette Coleman. And his admiration for Johann Sebastian Bach became a powerful memory in his joint music-making with the choir from Bach’s own church, the Leipzig Thomanerchor. Joachim Kühn's career in music has been so many-faceted, a brief summary will never do it justice: free jazz in the cauldron of the sixties in Paris, fusion music in California, modern jazz in New York, solos, duos, trios, countless records, and finally the decision to settle in Ibiza, which is the base from which the pianist travels the world.
For someone like Joachim Kühn, who lives one hundred per cent through his immersion in music, there is no standing still. He is driven by a force within which leads him to continue to develop all the time. It would be understandable if he were just to stand back and take pride in all that he has achieved - but he won't. He has played with the elite of jazz, with musicians such as Ornette Coleman, Archie Shepp, Pharoah Sanders and Joe Henderson. He recorded "Impressions Of New York" with his brother Rolf and Coltrane's bassist Jimmy Garrison. His trio with Daniel Humair and Jean-François Jenny-Clark became an integral part of European jazz history. And in the trios with Majid Bekkas / Ramón López and Rabih Abou-Khalil, he succeeded in opening up jazz to the cultures of the world. But for this pianist, the search is never-ending. He threw off all constraints and limits from the perspective of technique long ago. What matters to him, he says, is pure music. And to make it with the greatest urgency and truthfulness.
CD
€17.50*
CD
€17.50*
Vinyl
€27.00*
SACD
€18.00*
2-CD
€20.00*
CD
€17.50*
CD
€17.50*
CD
€17.50*
CD
€17.50*
CD
€17.50*
Joachim Kühn
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CD
€17.50*
CD
€17.50*
SACD
€18.00*
Vinyl
€27.00*
CD
€17.50*
2-CD
€20.00*
CD
€17.50*
CD
€17.50*
